Venice Film Festival: Golden Lion for a documentary on the scourge of opioids – zimo news


Laura Poitras’ documentary “Beautiful and Bleed” won the Golden Lion at the Venice Film Festival on Saturday. Not to be outdone, French filmmaker Alice Diop won two awards for her film “Saint-Omer.”

The Venice Film Festival screened Saturday, September 10, a documentary about photographer Nan Goldin and her bitter battle against a health scandal that has claimed hundreds of thousands of lives in the United States, making the The tragedy of opioids is in the spotlight.

The jury, chaired by actress Julianne Moore, awarded the Golden Lion to director Laura Poitras, 58, following last year’s Audrey Diwan of France. “L’Évènement”) and Chinese-American Zhao Wei, the third consecutive director to be crowned. (“Nomadic Land”) in 2020.

Most importantly, it distinguishes a combative character who relentlessly explores America’s grey areas: After the American occupation of Iraq and working at Guantanamo, she became a confidante of whistleblower Edward Snowden and produced “America”. Fourth Citizen (2015), which won an Oscar for Best Documentary.

There are no shocking revelations this time in Venice’s award-winning film “Beauty and Bleeding,” but rather the journey through the life of Nan Goldin, the 68-year-old photographer who shoots the New York subway and He has brushed aside death, from AIDS to the opioid crisis, his final battle.

Since returning from Venice, Nan Goldin, who didn’t get the prize, took the lead in David against Goliath against the Sackler family, a major producer of opiates, painkillers that addicted people and killed half a million Americans in the past Twenty years.

French woman Alice Diop doubles crown

“I’ve known many brave people in my life, but no one has fought against this very strong family like (Nan Golding),” the director said when accepting her award.

French filmmaker Alice Diop won two awards in Venice on Saturday, with her first novel “Saint Omer” taking home the Grand Jury Prize and the First Film Award , inspired by a news and subsequent trial.

“I’ve run out of words,” said the filmmaker, moved to accept her award, emphasizing her feminist struggles, especially “women of color”: “Silence will not protect We. We will not be silent anymore,” she promised.

Inspired by the true story of the infanticide trial, “Saint Omar” seeks to explore the “universal big question” of our “relationship with mothers.” The film’s protagonist, Laurence Coly, played by Guslagie Malanda, is a Senegalese immigrant accused of abandoning her 15-month-old baby on a beach in northern France during high tide , thereby killing her.

Jafar Panahi jailed in Iran and sentenced in Venice

The Venice jury has sent another political signal by presenting director Jafar Panashi with a special award that films will not succumb to censorship in Iran, and supports a filmmaker who is giving freedom to his creative desires .

Winner of the Golden Lion in 2000 for “Le Cercle”, Panahi is the only filmmaker to fail the red carpet and has been imprisoned by the mullah regime since July. In the award-winning film “No Bears” (“The Bears Don’t Exist”), he puts his situation in the abyss with a brilliant snub against censorship.

However, the Venice awards ceremony, which is the springboard for the Oscars, has not been forgotten after the “success stories” of films such as Zhao Wei’s “Nomads”, the Golden Lion in 2020 or Alfonso Cuaron’s “Roma” two years ago. charm.

The acting award went to red carpet stars Cate Blanchett (“Tal”) and Colin Farrell (“The Banshee of Inisherin”).

Netflix has no awards

On the other hand, the list of winners sounds like a slap in the face for online video giant Netflix, which is looking for fan legitimacy in Venice. Disqualified from the Cannes Film Festival because his films were not shown in theaters, he put the napkin ring on the Lido, where he showed no fewer than four films.

Ana de Armas played Marilyn Monroe in the biopic “The Blonde,” online at the end of September, and Frenchman Romain Gavras described the suburban uprising (“Athens”). Na”) did not convince the jury. No less than Mexican Alejandro González Iñárritu, who lost the audience in the twists and turns of his “bardo”, or American Noah Baumbach (Noah Baumbach) did not find the charm of his previous film “White Noise”.

with AFP

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